Remember the story of the elephant and five men? Five blind men approach an elephant, one at the trunk, one at the feet, one at the tail, one at the ears, and one at the belly. Each blind men describes to the others his own representation of what he felt—the man at the trunk describes the entity as a hose, another believes that the ears are a sail, the third speaks of tree trunk features, the next describes the tail as a rope, and finally, the last man said the belly was a large boulder—none of them are exactly wrong in their descriptions. Yet none of them are correct in their conclusions, in knowing the entire animal. Each person perceives a different reality, and has a different explanation of our metaphysical state. And whether we agree with these alternate perceptions of reality or not, we must consider them. Because
without these beliefs, we lose the human spirit. Now, I cannot simply make a claim that the human spirit is lost in ignorance. But the story of the blind men and the elephant presents a metaphor for how we are all born blind into this world, conditioned through family, through our settings, and through life experiences in what we believe and do not believe. Whether we choose to accept or reject presented philosophies and theologies is a matter of human will; our will being the single most powerful deterrent in every situation. And yet, there is no way for a person to reject everything imparted to them. Likewise, it is impossible to avoid choosing, because in doing so you have already made that choice. Influence is just as powerful as will because reaction and choice are inevitable. Every choice you make, by action or
inaction– whether you should go to the movies before dinner or after dinner, if you should acknowledge the commercial asking for help for children overseas, or if you should marry the person you have been in a relationship with for the last four years—is heavily affected by all the influences of our lives. If we choose not to consider the views of others that may seem ridiculous to us, then we are setting ourselves on a pedestal of superiority. Some my call this liberal thinking, but it really falls in the category of consideration and respect. Culturally speaking, North Americans– most notably in the youth– lean towards seeing ourselves as invincible, whereas European and Middle Eastern countries often view Americans as high-handed, rude bullies. And plenty of other nations view other nations disproportionately
as said example does. I challenge Sense and Mars’ Hill readers to appreciate and understand the differences of each person you come in contact with, and especially those that you disagree with—in art, in musical preference, in political debate, in philosophical argument, in theological and spiritual contention. It’s a wonderful thing to have an intelligent debate with a person who vehemently disagrees with you, yet still each walk away sympathetic to their viewpoints. When this happens, it could be said that we have circled to the other side of the elephant and felt what the other described.
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February 8, 2006 | Leave a Comment
Picture an 11-year-old boy dressed up like a nurse, playing DJ with his own cheesy electronic music to his audience of parents and friends. What do you think happens when this kid grows up a little bit, almost dies a few times, and realizes how much he appreciates life, music, and God? Cran happens. Cran is Jonny Hughes, now one of Trinity’s own, a 1st year Art major, and a musician who has come a long way since his “DJ Nurse” days. Since he started Cran about three years ago, he has stimulated quite an attraction, locally and beyond, to his music. Aside from his trumpet player Neil Zubot, who often plays with Jonny, Cran is a solo act. It has been an intense journey for Jonny, yet he humbly treks on, smiling, trusting God, and of course, making music. Jonny’s style of electronic music, combined with unashamedly
vulnerable vocals, is influenced by artists such as Atron Family, Soul Junk, and Carol King, among others. On describing his style, Jonny says, “If someone’s really into the whole underground or indie scene (Jonny finger quote-unquotes ‘indie scene’) they could understand if I said like indietronica… or glitzpop; but normally people aren’t really into that and I don’t want to sound snobby so I just say, ‘Have you heard of Björk or Radiohead?’ It’s sort of like that.” The name Cran started out as an inside joke, as many good band names do. Jonny found amusement from writing meaningless words on message boards, and the word cran came out as an evolution of words like cranberry, rad, and the expression “keep it real.” He ended up thinking, “If something was really true it should be called cran
because someone who is really superficial and has lots of walls up, to see them say the word cranberry, it looks silly. Anyone who says the word cran can’t say it without laughing or feeling silly.” With the music he creates, Jonny recognizes the opportunity to use his gifts for God. “For Cran, it’s all about trying to witness and this is me trying to witness to people who don’t know God and Jesus, and just to show that, or hopefully show, that not all Christian music has to be cheesy.” He often gets opportunities when talking to people about music, to witness about his faith. “I’ve had tons of surprisingly amazing times talking to people who I know are atheists, or don’t know what they believe, say there’s some kind of purity about me that they really like, or that when I play, it gave them a really
weird feeling that I know is the conviction of the Holy Spirit.” Jonny’s authentic, charismatic character combined with the music of Cran has attracted the interest of more than a few people, including many local bands, and some record labels. Last summer, Jonny played at In Medias Res’ homecoming tour show, with Notes From the Underground and The Robosexuals. “I played like four sets in between every band, and it was one of the greatest days ever. There was like 500 people there and everyone sang along to my sing-along-song ‘We’re Gonna Make It’ and it was just…I almost cried. That was one of my favourites.” As far as other favourites go, Hughes says, “Usually every time I have some kind of crazy health problem and almost die, my favourite shows are the ones that I play two days after that. I
really enjoy those.” He’s not kidding, either. Last semester Cran played a show with Starflyer 59 and Maplewood Lane. Two days prior to this show, Jonny had undergone surgery for testicular cancer. He explained to his parents that it would hurt less if he stood up, and he really had to play. Thankfully, Jonny is now cancer-free. “I’m so happy to be alive . . . just feeling a little frustrated at why that kind of stuff has to happen, and just trying really hard to make the best of it and see God through everything.” Cancer is not the only health struggle Jonny has had. Last year he broke both his arms in an accident that should have been fatal. This incident also only encouraged his optimistic outlook on life and God. “I should’ve been dead, but just knowing that by human standards I shouldn’t be alive–
like it doesn’t actually make any logical sense– [I’ve realized that] God has a calling for me so I can’t be sloppy. I need to work hard when I’m at school and work hard at work and put everything into what I have, because God wanted to spare me. It’s the most intense thing ever.” Jonny gets excited because he strongly believes that he’s doing something with his music that the devil doesn’t want him to do, something for God’s kingdom. He moves forward with an optimistic sense of purpose, values each day of life, and puts all he has into his work and music. Having been through so much, Jonny has some last-minute, lifechanging advice to offer to the masses: “If you want to win the heart of a girl, use domain name jokes. It helps.” Look for Cran’s next album, Arms Legs Feet, to be released in the near future.
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February 8, 2006 | Leave a Comment
JONATHAN SWIFT SAID, “VISION IS THE ART OF SEEING THE INVISIBLE.” When you’re Cleveland-based artist Derek Hess, nothing rings truer than being able to communicate the unseen through ink visuals. Since establishing himself as commercial artist in the early nineties, Hess has proven himself as a strong catalyst of feeling and thought through his simple and expressive pen and ink drawings. Since then, he has created somewhat of an empire with the Derek Hess name and most recently Strhess Clothing. He also launched StrhessFest (an art and music festival) and The Strhess Tour (a sponsored music tour that has spanned both North America and the UK). I recently had the chance to talk with the 41-year-old Hess about his upcoming year and what he wants to impress his fans next.
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December 9, 2005 | Leave a Comment
As I stare out at the gloomy cloud cover, my body recalls the biting breezes of moments before. My mind forms a paradoxical memory, that sunny summer’s day when I decided to experiment with love and nature. Since creation, love has ordered our world. We have a myriad of potential situations and when we act in love and gratitude we are on our way to knowing Christ. Love is not simply an abstract ideal but a practical application of divinity, a naming of the Good in creation. I bought two sets of three identical tropical plants at $1.99 each. I bought myself a community of friends, three of which I would love, three of which I would isolate from my God-given calling to spread love.
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December 9, 2005 | Leave a Comment
“Video games are literally ‘murder simulators’ teaching our kids how to kill.” These words came straight from Florida attorney Jack Thompson’s website StopKill.com. Thompson is an outspoken crusader against video games, blaming them for the Columbine massacre and the D.C. sniper, among other things. His entire argument against video games is that they drive people to aggression, creating “Manchurian Children, who learned their deadly skills from video games” (Fall 2000 21st Century by Michele Steinberg). To solve this “epidemic” of youth violence spawned by gaming, Thomson continues to lobby for the censoring and banning of video games from society. Yet, if video games cause violence, should we not be alarmed and fearful for the future? Not a chance. For all his grandstanding, Thompson does not have a leg to stand on. Video games do not cause violent inclinations any more than a runny nose causes a cold.
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November 24, 2005 | Leave a Comment
OVER THE RHINE
For fans of: Hem, The Innocence Mission, Aimee Mann
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November 24, 2005 | Leave a Comment
Jarhead
JARHEAD
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November 24, 2005 | Leave a Comment
Sophia Coppolla
Mostly known for her role in the third Godfather film and for her famous father Francis Ford Coppolla, Sophia doesn’t let her legendary family take all the credit. She brought us the serious, compelling, and soundtrack laden Virgin Suicides, a dark movie about fear, family and fantasy that leaves you with an inescapable feeling. More importantly, though, she won an Oscar for her screenwriting on the critically acclaimed Lost in Translation, a comedy-drama about two confused Americans dealing with their separate dilemmas together, and set in the surreal surroundings of downtown Tokyo.
My recommendation: Lost in Translation