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Letters to Editor: Defending Bush, Thoughts on Getting Off

RE: The forgettable regime: Eight years of regrets in the Bush Adminstration

Dear Editor,
I am writing in response to a fantastic article found in the last issue of Mars’ Hill titled, “The forgettable regime: Eight years of regrets in the Bush Administration” by Graeme Esau. I would just like to offer my thanks to Graeme for putting in the effort that is required to produce pieces with this caliber of journalistic excellence. His efforts to provide a very well-balanced, non-subjective and impartial article have not gone unnoticed. I mean, it is obvious that there really weren’t any areas where Bush succeeded in his presidency, it was a complete failure and only an uneducated Midwestern farmer would disagree with the multitude of ideas brought forward in the article, all of which were backed up by undeniably objective facts… right.

As an American, I feel that it is my duty to provide some actual facts with regards to the claims that Graeme put forward. I do not have the space to go into nearly the detail that I would like on all of his arguments, but I will try to do justice to a couple of key arguments. First off, with regards to the 2000 election, it was the Supreme Court of the United States that ruled the recount to be illegal thereby giving the state to the Republicans. Bush did not win Florida based on family connections; he won based on the judgment of the highest legal entity in the country. In addition to this, Al Gore called Bush at 2:30 A.M. the day after the November 7 election, conceding the election and offering his congratulations to President Elect George W. Bush. This all happened long before a recount was even considered.

Regarding the economy, yes, I agree that Bush has increased the national debt, and that is most certainly a problem; however, that money went directly towards stimulating an economy that was, contrary to what Graeme writes, teetering at the brink of outright recession at the time that Bush took office. The dot-com bubble had just burst, and the stock market was falling at an incredible rate; investor confidence was shattered. Cash needed to be injected into the system. The methods employed may not have been the best, but they weren’t decisions made out of incompetence.

When Graeme mentions “the immense number of jobs that have been lost under Bush,” I’m not sure where he is getting those stats. I have found that the current level of unemployment (5%) is actually lower than the average for the past 60 years (5.4%), and is even lower than the average rate throughout the Clinton era.
Another area that Graeme went on to criticize was Bush’s handling of Iraq. Now to put it straight, I will concede that the war has not been the most well run war; many mistakes have been made. Now, however, the strategy put forward by General Petraeus seems to be working. The single biggest indicator of this is the silence on the part of democratic candidates with regards to the war. They are beginning to rethink their immediate withdrawal proposals.

Next, I will concede that this war has lasted longer than World War II, but it has cost far fewer lives, a small fraction of the devastation caused by WWII. It has also cost a substantial amount more than estimated, but that money goes straight back into stimulating the economy.

Last, Graeme calls the Iraq war a “colossal… ethical failure.” Would it have been any more ethical to allow Saddam to continue his genocidal actions against the Kurds?

In closing, I would like to once again thank the author for his commitment to journalistic excellence as embodied in this piece.

Sincerely, Matt K. Buys

Snow White takes offense

To Mr. Fidler,
I am writing in response to your article on the connections between porn and romantic movies. First, let me say that I admire your boldness on approaching such a topic. It is true that sexual content is continually invading romances and romantic comedy. The Notebook, as you cited, is a prime example of this. However, I would like to address your claims of the fantasy we watch dictating our idea of love.

You cited Cinderella as one such fantasy that clouds our perceptions of love. Let me direct you to one of the greatest Cinderella-type stories ever, Pride and Prejudice (if you don’t believe me, check the ticket sales for TWU’s upcoming production). Yes, there is a “prince” character and the story seems to be an ideal, happy-ending fantasy. However, it involves the two characters being able to see past each other’s faults and making compromises out of love for each other. Is that not what marriage is all about? It represents a real relationship. I highly doubt that any one watches Pride and Prejudice with the intent of “getting off ” as you put it.

While more and more romantic comedies offer up the faulted-but-charmingly-handsome boyfriend, most of those characters still retain redeeming qualities. The basic pattern of a romantic movie is:

1.Meet
2.Click
3.Get to know each other (i.e. fall in love)
4.Fight
5.Reconcile.

The reconciling usually involves both male and female partners changing and apologizing for their mistakes. The example they set is not wrong: it may offer a faster solution to a hurt, or embellished plea for forgiveness, but it involves resolving the conflict and moving on.

Marriage and love are hard work, involving concession and compromise on the part of both spouses. I do believe that many people do not realize that today. However, I do not think that you can call romantic movies a way to “get off” and blame the state of today’s marriages on such movies. If I may cite some popular movies such as Ever After, The Lake House, You’ve got Mail and Sleepless in Seattle which all contain no sex between the lovers. These movies are not perfect, nor are they a template to model our own lives after. But they contain a sweet center of the dream of love, in a world where love seems doomed to die.

My final thought is a question for you. Consider your favorite action movies. I would hazard that more than a few with ratings over 14A are on that list. Perhaps these movies, by glamorizing violence and adding in an “epic” romance/casual sex, are far more damaging than The Notebook could ever be. For example, The Matrix Reloaded has a rather intense sex scene if memory serves. What about films like The Godfather, Sin City or even Mission Impossible? Which do you think is more damaging?

Sincerely,
Snow White (Kirsten Knox)

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